Once Upon a Time: The Essential Ennio Morricone

Customer Review: Morricone's fan
Tengo casi la totalidad de las bandas sonoras compuestas por este genio revolucionario del lenguaje musical para el cine. Ennio nació para el cine, no hubiera encontrado en otro escenario un mejor lugar para desarrollar su gran talento. La Filarmónica de Praga realiza una impecable musicalización, sin quitar o agregar algo diferente a la banda original. Estos 2 CD's reúnen lo más significativo de su producción con una sola excepción, "La Califa" una pequeña película que sobrevive por su banda sonora, una de las mas bellas compuestas por Morricone. La verdad resulta extraño que no fuese incluida.
Customer Review: Excellence!
These recordings range back to 1994, with a number of tracks being from Silva Screen's "Music from the Films of Clint Eatwood" compilation, with Derek Wadsworth conducting the City of Prague Philharmonic. Those tracks are: "The Good, The Bad and The Ugly", "A Fistful of DOllars", "For a Few Dollars More", and "Two Mules for Sister Sara". "In The Line Of Fire' also appeared on that CD, performed electronically by Mark Ayres. The next bunch of tracks is from Silva Screen's 1996 compilation, "Cinema Paradise: The Classic Film Music of Ennio Morricone", which included the majority of tracks here such as the extensive The Mission Suite, The Untouchables, Casulaties of War, Once Upon a Time In America, 1900, Chi Mai, Marco Polo, Once Upon a Time In The West (two tracks), Cinema Paradise, and The Good the Bad and the Ugly - Ecstacy of Gold, mostly being conducted by Paul Bateman, with Nic Raine doing some of the conducting duties as well. Hamlet is from Silva's 1997 "Cinema's Classic Romances" compilation, while "The Thing" is from Silva's 2001 "Essential John Carpenter". A Fistful of Dynamite - Duck You Sucker is from 2002's Way Out West: Essential Western Film Music Collection Volume Two. The remaing tracks were newly recorded in 2004 for this release: Days of Heaven, Exorcist II, Guns for San Sebastian, Moses the Lawgiver, My Name is Nobody, The Five Man Army, The Red Tent, The Men From Shiloh and The Sicilian Clan. Highly recommended.

When Paul first arrived in Corinth in the middle of his second missionary journey, Acts 18:2-3 reports that he joined Aquila and Priscilla in the occupation of making tents. This fits in well with what Paul himself wrote at about that same time. For example, in 1 Thess. 1:9, he says: "Surely you remember, brothers, our toil and hardship; we worked night and day in order not to be a burden to anyone while we preached the gospel of God to you." Similarly, in 2 Thess. 3:7-8, Paul states: "We were not idle when we were with you, nor did we eat any one's food without paying for it. On the contrary, we worked night and day, laboring and toiling so that we would not be a burden to any of you.

Paul made both of these statements while still in Corinth. Shortly after having left Corinth, toward the end of the third missionary journey, Paul describes his apostolic right to be supported by those he has benefited spiritually (1 Cor. 9). He asks the ironic, rhetorical question, "Or is it only I and Barnabas who must work for a living?" (1 Cor. 9: 6).

According to Jerome Murphy-O'Connor:

At first sight the trade of tentmaker with appear particularly inappropriate for one whose ministry focused on cities, but there was a tendency among artisans of the period to use specialized titles, even when there were actually covered a much broader range, much in the same way as a carpenter of today will sometimes describe himself as a cabinet-maker. Paul was in all probability a leather-worker who could turn his hand to the production of the wide variety of articles made of this material: [sandals], gourds for water and wine, harness, saddles, shields, etc. Tents were also made from leather and a ready market would have existed at Corinth (St. Paul's Corinth: Texts and Archaeology, 168).

One reason this is true is because the Isthmian Games were held at nearby Isthmia. Second only to the Olympic Games themselves among the four great Panhellenic games, the Isthmian Games were held twice as often as the others, every two years. By the time Paul arrived in Corinth, the Isthmian Games were 500 years old. They had not been interrupted even during the century that its traditional host Corinth lay virtually abandoned (146-44 B.C.).

At about the time Paul arrive in Corinth, 50 C.E., the games were moved back to Isthmia from Corinth. Another festival, the Caesarean Games, was held concurrently with every other occurrence of the Isthmian Games. It featured its own venue of events. Throngs of people from all over the Roman Empire flocked to Isthmia, either to participate in or to watch the competitions. According to Dio, a contemporary of Paul (in his Orations 8.12), the basic athletic events of the Isthmian Games included foot races, wrestling, jumping, boxing, hurling the javelin, and throwing the discus.

At one time or another in the history of the games, additional events included horse racing, chariot races, poetry reading, drama, singing, heralding, playing the lyre and the flute, and a painting competition. Yacht races in the nearby Saronic Gulf gave the games a feature not found at Olympia, Delphi, or Nemea. Events were scheduled for women as well as men, and also for children. Large amounts of money changed hands, not only from the gamblers who won and lost, but also from those who showered gifts upon the victors.

Excavations of Isthmia began in 1883 under Paul Monceaux. They were renewed in 1930 by B. S. Jenkins and H. Megaw. These early efforts yielded only meager results. Oscar Broneer, however, who excavated the site from 1959 to 1967, uncovered the temple of Poseidon, porticoes, the sanctuary of Palaemon, two stadiums, one much earlier than the other, and a Hellenistic settlement at nearby Rachi. One of Broneers assistants, Elizabeth Gebhard, excavated the theater. From 1967 to 1976, P. Clement excavated the Roman baths and other buildings. Ms. Gebhard returned in 1980 and 1989 to excavate the central shrine and a prehistoric settlement at Rachi.

Archaeologists could find no trace of permanent accommodations for the crowds attending the games as early as the First Century C.E. These were only built in the Second Century. Faced with the choice of either having to walk several miles a day to witness the events or purchasing and pitching a tent, hundreds, if not thousands, would prefer the latter. In other words, Corinth may have been one of the best places in the Mediterranean world for Paul to open a tentmakers shop. Small shops such as his (about 10 feet by 10 feet) lined the marketplaces in Hellenistic cities throughout the Empire.

Did Paul attend the games while he lived in Corinth? We have no way of knowing for sure. The games were opened with a sacrifice to Poseidon as the resident patron deity. In addition, many of the athletic contests were performed in the nude for the men, and women athletes probably wore only the scantiest of outfits. We would expect such immodesty to offend Jewish/Christian scruples. Yet, Murphy-O'Connor states:

It is difficult to decide if Paul himself attended the games. Palestinian Jewish opposition to such spectacles is well documented..., but we cannot assume that the same attitude prevailed in the Diaspora. If Philo felt himself free to attend an all-in wrestling contest (Quod omnis probis, 26) we can be sure that many Hellenized Jews had no compunction about attending the games. Jews had specially reserved seats in the theater at Miletus in western Asia Minor. (17).

What we do know for sure, is that Paul uses familiarity with the games as a source of imagery in his teaching. An examination his speeches and letters in roughly chronological order reveals a number of allusions to athletic competition. (I will make the allusions bold and provide more literal translations when helpful.)

Before arriving in Corinth, in a sermon delivered in Antioch of Pisidia (Acts 13:25), Paul uses (race) course (Greek: dromos, the word behind rollerdrome and hippodrome) as a metaphor for Gods purpose for the life of John the Baptizer: And while John was completing his course, he kept saying, 'Who do you suppose that I am? I am not He.

Years later, Paul would use the same imagery again to refer to his own purpose in life. When he bids farewell to the Ephesian elders (Acts 20:24), Paul says: However, I consider my life worth nothing to me, if only I may finish the course and complete the ministry which I have received from the Lord Jesusto testify to the gospel of Gods grace.

In Galatians 2:2, as Paul describes an early visit to Jerusalem, he writes, "I... set before them the gospel that I preached among the Gentiles. But I did this privately to those who seemed to be leaders, for fear that I was running or had run my race in vain." Later, in the same book (5:7), he observes, "You were running a good race. Who cut in on you and kept you from obeying the truth?"

These metaphors Paul employed before he ever arrived in Corinth. The longest passage, however, occurs in First Corinthians 9:24-27. Shortly after completing his church-founding visit in Corinth, Paul urges the Corinthians:

Do you not know that in a race all the runners run, but only one gets the prize? Run in such a way as to get the prize. Everyone who competes in the games goes into strict training. They do it to get a crown that will not last; but we do it to get a crown that will last forever. Therefore I do not run like a man running aimlessly; I did not fight like a man beating the air. No, I beat my body and make it my slave so that after I have preached to others, I myself will not become disqualified.

In prior centuries, incidentally, the crown (Greek: stephanos) awarded as a prize at Isthmia was made of pine boughs, as illustrated on the reverse side of contemporary coins and in carvings found at Isthmia. The pine bough wreath continued to be the iconic symbol of the Isthmian Games, even though evidence exists that another plant, selinon (an herb similar to celery or parsley) was used in the First Century C.E. A votive carving celebrating Isthmian victories shows crowns made from a variety of plants, including both pine and selinon. This fits particularly well with the phrase, "crown that will not last," or, more literally, "perishable crown." By the time the Isthmian athletes received their herbal crown, it was already wilted.

In several of Pauls letters he uses the word struggle or contest (Greek: agon-, from which we get agony and agonize). In Rom. 15:30, for example, I urge you, brothers, by our Lord Jesus Christ and by the love of the Spirit, to join me in my struggle by praying to God for me. Similar passages occur in the letters Paul later wrote from prison (see Eph. 6:12; Col. 1:29; 2:1; 4:12; Phil. 1:30) and in one he wrote after he was released (1 Tim. 4:10; 6:12).

In one of those same prison letters (Phil. 3:13-14), Paul applies race imagery to his own experience: But one thing I do: Forgetting what is behind and straining toward what is ahead, I press on toward the goal to win the prize for which God has called me heavenward in Christ Jesus.

The word translated prize (Greek: brabeion) is one of at least three Greek words used to describe the prize awarded to the winner of a contest. The context indicates that what Paul is referring to forgetting his past accomplishments, not his past failures. Contrary to how many preachers use it, this verse is not saying, Dont let your past failures discourage you from winning. It says the opposite: Dont rely on your track record of achievements. Every race is a brand new race, and all the runners, even the champions, must prove their worth all over again.

When Paul is imprisoned once more, just before his execution, he writes in his final letter (2 Tim. 4:7-8):

I have fought the good fight (agone); I have completed the course (dromos); I have kept the faith. What remains is for me to be awarded the crown (stephanos) of righteousness, which the Lord will convey to me on that day, being a righteous judge; and not only will he give it to me, but also to all of those who love his manifestation.

Just as even in modern times, the highest-ranking official present has the honor of handing out the awards, so Paul anticipates that Jesus will award him his crown for his victory in the Christian race.

All of this can be reduced to a few principles, a few ground rules:

1. Despite Christs victory at the cross and his provision of forgiveness as a result, the Christian life continues to be a contest between good and evil. It is a wrestling match with the devil in which the stakes are high, and the risk of losing is real (Eph. 6:12).

2. God wants us to win this contest, and He has made every provision for our success. Yet we ourselves must be willing to undergo discipline and submit to rigorous training if we are going to receive the prize (1 Cor. 9:24-25).

3. God has set out the course He wants us to follow (Acts 20:24). The boundaries of the course He has marked out by His moral willwe move outside the boundaries when we commit sins or trespasses. Within those moral limits, however, we have considerable freedom to exercise our own judgment on how best to run our race (2 Tim. 4:7).

4. Death is the finish line and life with Christ in eternity the prize (Phil. 3:13-14; 2 Tim. 4:8).

5. In a real sense, we are already winners as soon as we begin the race. In the words of Paul, we are super-victorious through him who loved us (Rom. 8:37). Yet, we must still run the race and avoid getting disqualified (1 Cor. 9:26-27).

Where are you in your Christian race? Are you at the starting blocks? Perhaps you are rounding the last curve and staring at the finish-line up ahead. Or maybe youre still in the bleachers watching others running the race.

Wherever you are, Gods challenge is for you to get in the race, to run with all youve got, and to cross the finish-line victorious. He will enable you, equip you, and train you. But you must do your part: take your Christian life seriously, read up on the rules, and listen to and obey your Coach. Then RUN!

Want to go deeper?

Here are some recommended sources:

1962 Oscar Broneer. The Isthmian Victory Crown. American Journal of Archaeology. 66:259ff. (See also Broneer's many other writings on Isthmia.)

1967 Pfitzner, Victor C. Paul and the Agon Motif: Traditional athletic imagery in the Pauline literature. Leiden: E.J. Brill. (doctoral dissertation for the Evangelical Theological Faculty of Mnster, Westphalia, Germany)

1973 Elizabeth Gebhard. The Theater at Isthmia. Chicago: University of Chicago.

1983 Jerome Murphy-OConnor. St. Pauls Corinth: Texts and Archaeology. Wilmington, DE: Michael Glazier.

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Copyright 2006 Steve Singleton

Steve Singleton has written and edited several books and numerous articles. He has been an editor, reporter, and public relations consultant. He has taught college-level Greek, Bible, and religious studies courses and has taught seminars in 11 states and the Caribbean.

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